Sunday 29 January 2017

29 January 1989: Scarlet for Me, Scarlet for You

  1. Marc Almond featuring Gene Pitney: Something's Gotten Hold of My Heart
  2. Mike + The Mechanics: The Living Years
  3. Roy Orbison: You Got It
  4. Roachford: Cuddly Toy
  5. Holly Johnson: Love Train
  6. Fine Young Cannibals: She Drives Me Crazy
  7. Kylie & Jason: Especially for You
  8. Ten City: That's the Way Love Is
  9. Erasure: Crackers International
  10. Robert Howard & Kym Mazell: Wait
  11. Will to Power: Baby I Love Your Way/Freebird
  12. Neneh Cherry: Buffalo Stance
  13. Then Jerico: Big Area
  14. Brother Beyond: Be My Twin
  15. Boy Meets Girl: Waiting for a Star to Fall
  16. Milli Vanilli: Baby Don't Forget My Number
  17. Adeva: Respect
  18. Bobby Brown: My Prerogative
  19. Inner City: Good Life
  20. Rob Base & DJ E-Z Rock: Get on the Dance Floor
  21. Mica Paris & Will Downing: Where Is the Love?
  22. Simply Red: It's Only Love
  23. Sheena Easton: The Lover in Me
  24. Michael Ball: Love Changes Everything
  25. Level 42: Tracie
  26. Natalie Cole: I Live for Your Love
  27. Yazz: Fine Time
  28. Raze: Break 4 Love
  29. Samantha Fox: I Only Wanna Be with You
  30. Kim Wilde: Four Letter Word
  31. Hue & Cry: Looking for Linda
  32. The Waterboys: Fisherman's Blues
  33. The Stranglers: Grip '89
  34. The Four Tops: Loco in Acapulco
  35. Angry Anderson: Suddenly
  36. Luther Vandross: She Won't Talk to Me
  37. Monie Love: I Can Do This
  38. Debbie Gibson: Lost in Your Eyes
  39. Big Country: Peace in Our Time
  40. Freiheit: Keeping the Dream Alive
~~~~~
One of the unexpected side effects of keeping this blog is that I frequently find myself enjoying songs that I never thought much of when I was younger. Many of these fall into the unfashionable category. I've already heaped undue praise on Marc Almond's duet with Gene Pitney at the top of the chart but it isn't difficult to find another less than hip hit single. The runner-up this week is The Living Years by Mike + The Mechanics, a part-time group led by Genesis guitarist Mike Rutherford. It was a song I didn't pay much attention to at the time - save for my cynical but hilarious dismissal of the "when my father passed away" line in which I accused of them of just trying to make a buck - but now find rather touching. A part of the video which seems to sum up my change of heart is when Mike stands with his son at his father's grave. The boy looks for a sec and then wanders off while his dad remains motionless: I used to be the boy but now I'm the man. Unloved and unlistened to as it was by many of my generation, it was still a pretty big hit and remains a staple of dentist offices and lite rock radio stations. Plenty were obviously affected by its pathos and I'm now one of them.

The generation gap described in The Living Years, however, doesn't seem present on the charts at this time. Finishing off the Top 3 is Roy Orbison's catchy You Got It. Having passed away unexpectedly back in December, his stock was high and this undoubtedly helped the single do as well as it did. Nevertheless, it  was something I quite liked and I suspect a lot of other young listeners at the time felt the same way. (Bear in mind this is long before it became cool to listen to older music) Orbison's death may have helped it get on the charts but the record itself made it go up.

Elsewhere, we have Baby Boomers and Generation X (not that we were called that at the time; Nirvana, plaid shirts and generational angst seemed a long way off) continuing to come together. Then Jerico's Big Area is the sort of storming rocker of the time that had the requisite bite to appeal to young listeners with a delivery that was sufficiently MOR for parents not to demand their kids shut off that bloody racket. The presence of synths and a very eighties big production should render it dated but it still sounds good to me. It's no wonder they were tipped for big things that never materialized. 

We were off to Ipswich this week to attend a production of Ten Little Indians. Our negative experience at The Secret of Sherlock Holmes a couple weeks earlier having not quite ruined the theatre for us and a good thing too since it was brilliant. The play was that evening but we arrived at midday for some shopping. My dad shook his head as I picked out yet another tape to add to my collection - this time it was the double collection The Hits Album - but he must have known he was asking for trouble when I began browsing. It was around this time that I began making a habit of finding a way to flip through records and tapes wherever we went. No doubt it helped that I could do so in a bookstore (W.H. Smith), a chemist (Boots) and a catch-all retail outfit (Woolworths) that could be found in every town and city in the British Isles. (Amazing, too, when you consider that today we barely have any record stores around, let alone shops that specialize in other goods that also happen to carry records) Browsing the racks of singles and albums soon became as enjoyable as buying them and it's something I enjoy to this day.

It was also in Ipswich that I bought a pair of jeans for myself for the first time. We visited Ipswich market - who really ought to update their webpage - and I picked out a choice pair of acid wash nut-huggers that immediately became the most prized piece of my wardrobe, even more than my Coca-Cola jean jacket. I'd always been a jogging pants kid but this was a bit of a sartorial turning point. And I sure wore the life out of those jeans: they're present in just about every picture taken of me (until the May heat wave at which point I reverted to my beloved clam diggers) and they got particularly worn upon our return to Canada when I was back at a school without a uniform. You'd think I would've invested in a second - not to mention a third - pair of jeans but there were far too many tapes for me to buy.

~~~~~
young Paul's favourite: Love Train
older Paul's retro pick: Something's Gotten Hold of My Heart

Sunday 22 January 2017

22 January 1989: You Can Whistle as Well as You Hear

  1. Marc Almond featuring Gene Pitney: Something's Gotten Hold of My Heart
  2. Mike + The Mechanics: The Living Years
  3. Kylie & Jason: Especially for You
  4. Roy Orbison: You Got It
  5. Fine Young Cannibals: She Drives Me Crazy
  6. Erasure: Crackers International
  7. Roachford: Cuddly Toy
  8. Neneh Cherry: Buffalo Stance
  9. Will to Power: Baby I Love Your Way/Freebird
  10. Holly Johnson: Love Train
  11. Boy Meets Girl: Waiting for a Star to Fall
  12. Inner City: Good Life
  13. Robert Howard & Kym Mazell: Wait
  14. Rob Base & DJ E-Z Rock: Get on the Dance Floor
  15. Brother Beyond: Be My Twin
  16. Milli Vanilli: Baby Don't Forget My Number
  17. Ten City: That's the Way Love Is
  18. Kim Wilde: Four Letter Word
  19. Mica Paris & Will Downing: Where Is the Love?
  20. Adeva: Respect
  21. Then Jerico: Big Area
  22. The Four Tops: Loco in Acapulco
  23. Natalie Cole: I Live for Your Love
  24. Freiheit: Keeping the Dream Alive
  25. Angry Anderson: Suddenly
  26. Duran Duran: All She Wants Is
  27. Bobby Brown: My Prerogative
  28. Level 42: Tracie
  29. Gloria Estefan & Miami Sound Machine: Rhythm Is Gonna Get You
  30. Raze: Break 4 Love
  31. New Model Army: Stupid Question
  32. a-ha: You Are the One [remix]
  33. Cookie Crew: Born This Way (Let's Dance)
  34. Sheena Easton: The Lover in Me
  35. The Stranglers: Grip '89
  36. The Darling Buds: Hit the Ground
  37. Gary Moore: After the War
  38. Simply Red: It's Only Love
  39. Samantha Fox: I Only Wanna Be with You
  40. The Waterboys: Fisherman's Blues
~~~~~
I've transcribed about twenty-five charts up until now and, at last, we have a number one that I consider to be genuinely thrilling. That's right, thrilling. Beau Koo Jack thrilling. Louie Louie thrilling. Wuthering Heights thrilling. Tell all your friends, pull out a bottle of booze and let the melodies wash all over you, bloody thrilling.

Why the love for Something's Gotten Hold of My Heart? Well, first and foremost, it is a vocalist's masterclass. Marc Almond and Gene Pitney pull out all the stops yet still keep their eyes on economy. It probably helps that they're performing a duet that was meant for a soloist. For the purpose of this blog I've been listening to Pitney's original take from 1967, Almond's solo turn on his 1988 album The Stars We Are and Nick Cave's rendition from around the same time. All are good but lacking something. Pitney's version is a bit unsure of itself, lacking the dramatics that make a number like Twenty Four Hours from Tulsa such a treat. Almond's (as well as Cave's) manages to tap into the song's melancholic dark side but it lacks Pitney's control. Getting a second shot at it,  the veteran delivers the goods and then some and the upstart more than holds his own. Though he'll chiefly be remembered for Tainted Love, Almond's performance here is a reminder of what a major player he always threatened to be. (Freaky Trigger's Tom Ewing even posits that it set the pace for the cross-generational duet that took off in the nineties, so it does have that to answer for. Natalie Cole singing with her long-deceased father and those lame duets albums: cheers, Marc and Gene)

Still, the appeal of this outstanding hit was largely lost on me at the time. I was otherwise occupied by Kim Wilde's Four Letter Word which had begun to enchant me around Christmas time. By now it was slipping down the charts which meant its airplay was nil but I maintained my loyalty. I also did my best to like Fine Young Cannibals and their hit She Drives Me Crazy. Catchy and with traces of Prince and metal and a drum machine to keep time, it's the sort of all-over-the-place mess that ought to have appealed but, instead, left me indifferent - and these feelings of malaise towards it remain. It was the sort of thing that everyone around me seemed to like: it was probably the most popular song of the period among friends at school and there was even a snippet on an old cassette.

It was Friday night and John and Debbie and their young daughter Aimee had just come down for the weekend. Making up for the fact that I never had a younger brother or sister and being young enough that I could still enjoy playing with toys, I bonded with Aimee. Remembering a silly phone-in show routine that I used to do with my sister ("This is Dr Ruth at 222-22222222222..." was a phrase of Julie's that I found hysterically funny for some reason), I got out the sad little tape recorder/radio we kept in our room, popped in the one blank tape I had and began to record a similar bit. Aimee was quickly giggling as I copied my sister's ghastly German accent. This went on for a while but then, at one point, in the background, you could hear my mum singing "She drives me crazy!" as she was fixing dinner. (A pity I no longer have the tape)

The next day we were off to London to visit Harrow. It was only back in September that I found myself in fearful awe of Mayflower and its many three and four story buildings, multiple gymnasiums, vast rugby and cricket pitches, swimming pool and two cafeterias but this was something altogether different. This place was huge, I could only imagine how frightened and intimidated I would have been had I been a young Harrovian at the time. While Billericay had a comfy, middle class-ness about it, Harrow exuded exclusivity. Many Old Harrovians had carved their names into the walls of one room. We were shown Winston Churhill's name though I forgot to look for Jawaharlal Nehru and Alain de Botton. I came away impressed but far from envying the average Harrow student. Sure, most of them are probably lawyers or captains of industry or in a cushy, mid-level position they didn't earn but are they happy? Have they really lived?

Returning to Laindon by train, we disembarked and headed back to our place. As the train pulled away some yobs shouted angrily at me. They must have been West Ham supporters unhappy about the Spurs scarf I was wearing. See what you're missing, Old Harrovians?

~~~~~
young Paul's favourite: Four Letter Word
older Paul's retro pick: Something's Gotten Hold of My Heart

Sunday 15 January 2017

15 January 1989: And I Know It Ain't the Wine Cause I Feel Just Fine

  1. Kylie & Jason: Especially for You
  2. Erasure: Crackers International
  3. Neneh Cherry: Buffalo Stance
  4. Mike + The Mechanics: The Living Years
  5. Fine Young Cannibals: She Drives Me Crazy
  6. Will to Power: Baby I Love Your Way/Freebird
  7. Roy Orbison: You Got It
  8. Inner City: Good Life
  9. Boy Meets Girl: Waiting for a Star to Fall
  10. Marc Almond featuring Gene Pitney: Something's Gotten Hold of My Heart
  11. Roachford: Cuddly Toy
  12. Kim Wilde: Four Letter Word
  13. Duran Duran: All She Wants Is
  14. The Four Tops: Loco in Acapulco
  15. Angry Anderson: Suddenly
  16. Freiheit: Keeping the Dream Alive
  17. Rob Base & DJ E-Z Rock: Get on the Dance Floor
  18. Gloria Estefan & Miami Sound Machine: Rhythm Is Gonna Get You
  19. Milli Vanilli: Baby Don't Forget My Number
  20. a-ha: You Are the One [remix]
  21. Holly Johnson: Love Train
  22. Robert Howard & Kym Mazell: Wait
  23. Cookie Crew: Born This Way (Let's Dance)
  24. Adeva: Respect
  25. Climie Fisher: Love Like a River
  26. Status Quo: Burning Bridges (On and Off and On Again)
  27. The Darling Buds: Hit the Ground
  28. Mica Paris & Will Downing: Where Is the Love?
  29. Brother Beyond: Be My Twin
  30. Natalie Cole: I Live for Your Love
  31. New Model Army: Stupid Questions
  32. Phil Collins: Two Hearts
  33. Ten City: That's the Way Love Is
  34. Level 42: Tracie
  35. Royal House: Yeah Baby
  36. Michael Jackson: Smooth Criminal
  37. Raze: Break 4 Love
  38. Bobby Brown: My Prerogative
  39. Petula Clark: Downtown '88
  40. Gary Moore: After the War
~~~~~
One of the Christmas presents I neglected to mention a few weeks back was one I never saw. Grandma Ella and Grandpa Bill sent me £100.00 which my dad promptly - and, I must say, wisely - decided to hold on to and allow me to access whenever I so desired. We hadn't arrived back in Laindon before my sister had already squandered spent her own holiday cash on a leather jacket purchased in the imaginatively named town of Street; my gift would be spent in a more piecemeal fashion. Care to guess what the bulk of it would spent on? Having been into music for the past several months, I had some catching up to do.

For Christmas I was given three tapes and during our brief interregnum back in Laindon I asked my mum to pick up a compilation called Hit Mix '88 which I'd just seen advertised on TV. My first purchase proper, however, wouldn't be until we took one of our frequent day trips into London. Back in August or September, I mentioned our first visit to the Tower Records store on Piccadilly Circus and how it was the first record store I enjoyed going into and here I was picking up Pet Shop Boys' Introspective. I was awfully proud of my purchase (My mum less so: "This has only six songs on it," she stated in horror as she examined the the sleeve. I tried protesting that every track was seven or eight minutes long but to no avail: "This has only six songs on it," she repeated to my disinterested dad)

My new acquisition stuffed into my pocket, we headed to Wyndham's Theatre on Charing Cross Road to attend The Secret of Sherlock Holmes. At a time when a young Benedict Cumberbatch was a member of Harrow's Rattigan Society of dramatic arts and not even a glint in Mark Gatiss' eye, we were there to see the only Holmes that ever mattered, Jeremy Brett. Even I kind of knew who he was and I had no interest whatsoever in Edwardian England's favourite coked-up sleuth. My parents and sister were excited and figured we were in for a thrilling, edge-of-seat mystery. A good thing, then, that I wasn't expecting much since I wasn't similarly disappointed. Holmes and Watson (played by Edward Hardwicke, also renowned for for his sidekick turn on the telly) spent much of the show discussing some stuff that must have fascinated some in the audience, just not any of us. I spent the bulk of the performance fidgeting in my seat and occasionally taking a peak at the cassette in my jacket pocket.

Introspective would kick off my obsession with buying cassettes for the remainder of our year - and, for that matter, a lifelong love of consuming tapes and, a few years later, CD's. It would also lead me towards collecting many, many other Pet Shop Boys albums in the years ahead. Introspective in '89 lead to Behaviour in '90 right on up to Super just a few months ago. As for The Secret of Sherlock Holmes, I would go on to watch some of the nineties series and much of the recent Sherlock episodes, though not with any devotion or loyalty - and I still haven't bothered with the novels and short stories. I did, however, take a great deal of pride in making my old friend Stephen jealous for having seen Jeremy Brett on a West End stage - even if I much preferred the Pet Shop Boys in a West End town.

~~~~~
young Paul's favourite: Four Letter Word
older Paul's retro pick: Something's Gotten Hold of My Heart

Monday 9 January 2017

8 January 1989: I Hear Your Name Whisper on the Wind

  1. Kylie & Jason: Especially for You
  2. Erasure: Crackers International
  3. Neneh Cherry: Buffalo Stance
  4. Inner City: Good Life
  5. Angry Anderson: Suddenly
  6. Kim Wilde: Four Letter Word
  7. The Four Tops: Loco in Acapulco
  8. Fine Young Cannibals: She Drives Me Crazy
  9. Duran Duran: All She Wants Is
  10. Will to Power: Baby I Love Your Way/Freebird
  11. Status Quo: Burning Bridges (On and Off and On Again)
  12. Boy Meets Girl: Waiting for a Star to Fall
  13. a-ha: You Are the One [remix]
  14. Freiheit: Keeping the Dream Alive
  15. Phil Collins: Two Hearts
  16. Gloria Estefan & Miami Sound Machine: Rhythm Is Gonna Get You
  17. Mike + The Mechanics: The Living Years
  18. Cliff Richard: Mistletoe and Wine
  19. Marc Almond featuring Gene Pitney: Something's Gotten Hold of My Heart
  20. Michael Jackson: Smooth Criminal
  21. Bros: Cat Among the Pigeons / Silent Night
  22. Climie Fisher: Love Like a River
  23. Rick Astley: Take Me to Your Heart
  24. Roy Orbison: You Got It
  25. Petula Clark: Downtown '88
  26. Londonbeat: 9 a.m. (The Comfort Zone)
  27. Tiffany: Radio Romance
  28. New Order: Fine Time
  29. Cookie Crew: Born This Way (Let's Dance)
  30. Rob Base & DJ E-Z Rock: Get on the Dance Floor
  31. Roachford: Cuddly Toy
  32. Milli Vanilli: Baby Don't Forget My Number
  33. The Darling Buds: Hit the Ground
  34. Natalie Cole: I Live for Your Love
  35. U2: Angel of Harlem
  36. INXS: Need You Tonight
  37. Bomb the Bass featuring Maureen: Say a Little Prayer
  38. Robert Howard & Kym Mazell: Wait
  39. Royal House: Yeah Baby
  40. Adeva: Respect
~~~~~
Back in this blog's infancy - August and September in case you'd forgotten; at this point it's nudging oh so close to middle age - I kept tabs on the gradual purge of hits that predated our arrival in England. It was as if I couldn't quite appreciate the goings on of the Top 40 until its residents were as fresh-faced as I was. And now it's 2017 and I'm looking back at 1989 and I find myself performing a similar task: when will the new year be rid of last year's leftovers?

Judging by just the second week of January, it doesn't look like it will take too long. Last week's rebounding hits proving a one-off, we've got a trove of newcomers as well as a few making big leaps up the listing. But as my old prof Barry Baldwin used to say about my essays, they're a bit of a curate's egg.

For many '89 is a year that goes someway towards redeeming the musical wasteland that was the eighties. Needless to say, I'm not one of them. There's a certain slickness about the decade's final year in hits such as Boy Meets World's Waiting for a Star to Fall and Will to Power's seventies medley Baby I Love Your Way/Freebird that marks an apogee from even the breezier AOR cuts from the likes of Belinda Carlise and Eric Carmen from just a year or so earlier. The former kind of works and has even managed to age reasonably well largely due to being almost annoyingly catchy. The latter, however, takes a pair of lame pieces of soft rock from fifteen years earlier and backs them with a drum machine and superfluous synths. Will to Power's main drawback, however, was its vocalists: while the female singer does a passable job on the Baby I Love Your Way lyrics - even if her vocal is as overwrought as any power ballad of the age - her male counterpart on Freebird is appallingly nasal and whiny. If the fusion of Peter Frampton and Lynyrd Skynyrd's signpost hits is meant to be a John Lennon-Yoko Ono-esque heartplay then it is poorly thought out: does she seriously love his way when he's crying about being so damn free?

For the past several months I had been glued to my parents and sister. We were never a every-third-Saturday-is-family-fun-night kind of family but during our year in England we became attached. It was never a conscious thing. Back in the fall, our form room teacher Miss Mitchell tried to organize a day out for our class to go rollerskating. There was probably something already preoccupying our weekend but I didn't want to go anyway. School was fine but all I really wanted to do was go home and be with Mum and Dad and Julie. (And, you know, listen to some music)

During this week, however, things began to alter a bit. First years had lessons cancelled as we piled into coaches heading for London. We were off to see a play at what I've always assumed to be the Royal Albert Hall. (Thinking about it now it feels like it can't possibly have been there; I'm quite sure I just told myself we were going to the RAH because it gave an air prestige to an otherwise mundane outing) The show was a chaotic affair about some sort of competition or Olympics, the details of which likely began to slip away while on the coach journey back to Billericay. Nevertheless, I enjoyed it and came away from it with my customary goofy looking smile that made clear my approval. I was aghast, then, to discover that my mates considered it to be "childish" (from Richard's review), "silly" (Neil's) and "rubbish" (Sean's). I tried going back on my gushing levels of praise but they saw right through it. And, of course, they were right to do so: I liked the stupid play and should have been man enough to stand by it.

I like to think that this experience was enjoyable as much for the excitement of going to London without my family, which it certainly was at the time. In addition, it marked the beginning of my love for attending plays. It was brilliant to be able to get out of school to go see a performance such as this. We never went to see plays at Highwood.

Imagine my disappointment, then, that in my dad's records of our year in England he has marked:

Fri Jan 13             Battlefield Band in Basildon
Sat Jan 14            Train to London, meeting Debbie and John, National Gallery
                             Julie attended Bros concert

But "Tue Jan 10               Paul way too impressed by a bunch of kids running around on a stage; I fear my son may be simple" is nowhere to be seen. Plays, it would seem, aren't quite as important as Scottish folk and teen idols.

~~~~~
young Paul's favourite: Four Letter Word
older Paul's retro pick: Something's Gotten Hold of My Heart

Monday 2 January 2017

1 January 1989: Who's Lookin' Good Today, Who's Lookin' Good in Every Way?

  1. Kylie & Jason: Especially for You
  2. Erasure: Crackers International
  3. Angry Anderson: Suddenly
  4. Inner City: Good Life
  5. Cliff Richard: Mistletoe and Wine
  6. Neneh Cherry: Buffalo Stance
  7. The Four Tops: Loco in Acapulco
  8. Status Quo: Burning Bridges (On and Off and On Again)
  9. Kim Wilde: Four Letter Word
  10. Bros: Cat Among the Pigeons / Silent Night
  11. Phil Collins: Two Hearts
  12. Michael Jackson: Smooth Criminal
  13. Petula Clark: Downtown '88
  14. Rick Astley: Take Me to Your Heart
  15. a-ha: You Are the One [remix]
  16. Freiheit: Keeping the Dream Alive
  17. U2: Angel of Harlem
  18. Robin Beck: First Time
  19. New Order: Fine Time
  20. Tiffany: Radio Romance
  21. INXS: Need You Tonight
  22. Londonbeat: 9 a.m. (The Comfort Zone)
  23. Bananarama: Nathan Jones
  24. Bomb the Bass featuring Maureen: Say a Little Prayer
  25. Duran Duran: All She Wants Is
  26. A Tribe of Toffs: John Kettley Is a Weatherman
  27. Pet Shop Boys: Left to My Own Devices
  28. Gloria Estefan & Miami Sound Machine: Rhythm Is Gonna Get You
  29. Fine Young Cannibals: She Drives Me Crazy
  30. Hithouse: Jack to the Sound of the Underground
  31. Boy Meets Girl: Waiting for a Star to Fall
  32. Enya: Evening Falls...
  33. Bon Jovi: Born to Be My Baby
  34. Yazz: Stand Up for Your Love Rights
  35. Annie Lennox & Al Green: Put a Little Love in Your Heart
  36. Shakin' Stevens: True Love
  37. Climie Fisher: Love Like a River
  38. Humanoid: Stakker Humanoid
  39. Will to Power: Baby I Love Your Way/Freebird
  40. Natalie Cole: I Live for Your Love
~~~~~
1989. A new year and with it a brand new number one. Of course it a track that had languished in the chart's runner-up position all through December so there was absolutely nothing new about it. Perceptive readers will note that Especially for You had been my favourite throughout that time as well and you might expect me to have been thrilled by it's promotion to the top spot. While I wasn't indifferent to the news, I greeted the development with plenty of anticlimax: there was kind of the feeling that hitting the top spot in January was just a consolation prize for having missed the Christmas number one. It was an obvious case of too little, too late. Plus, you know, I was pretty damn sick of it by this point.

There's an odd quirk about this week's chart as several singles that had been trending down enjoyed a sudden resurgence. A full dozen tracks had bounce backs, including one - Yazz's Stand Up for Your Love Rights - which had been off the Top 40 entirely for several weeks. They say that January is dead time for chart activity and this would go some way to explain such an oddity. (I was going to examine similar post-Christmas Top 40's from the mid-eighties to the early nineties to see if they yielded similar results but I'm currently back home for the holidays and I just didn't have the time) In addition, English kids had Christmas record tokens to redeem and they probably opted to purchase singles with them that they'd grown familiar with over the holidays. (We never had record tokens back in Canada, just those Sam the Record Man gift certificates that I'd always spend on albums; the very idea of spending music money on a single seemed like a colossal waste to me)

We spent New Year's in Peterborough, as we continued to avoid our cramped and cold place, this time staying with the Douglas' at their equally cramped and cold place, thus finishing off our Christmas holidays where they'd began just over two weeks earlier. I spent some of the first day of 1989 at a wave pool, thus bringing back memories of visits to Calgary's Village Square Leisure Centre.

Back in Laindon on Monday, I was back at school the following day. Dad had meetings first thing in the morning and, due to some arrangement that I can no longer recall, dropped my sister and I off in the centre of Billericay from where we were to walk to Mayflower. The morning was cool and clear and we managed to make that walk take about as long as possible. As we trudged reluctantly to school we were stopped by the mother of Naomi, one of my sister's closest friends. She invited us to her place where we could relax and wait for school to start. My sister normally didn't want to have anything to do with me back then - looking back I can't say I blame her - but she made an exception as we sat on a sofa in Naomi's living room. They didn't even seem to mind that I was walking close to them as we all proceeded on to school.

For whatever reason we were requested to wait in the main gymnasium before classes were to begin. It was as if they'd chosen to herd us into a spot so we weren't kicking off the New Year by running amok on the playground or sports field. Remind them where they are.

And where exactly was I? I was starting a new term, I was mad about pop music and I was becoming more and more comfortable in my surroundings. I was leaving behind my childhood but I couldn't quite rid myself of the parallel universe life that I'd left behind in Calgary. '89 would be about throwing off the shackles of my previous jogging pants-professional wrestling-comic books world in favour of my newfound existence of Top 40-thinking about girls-travelling around Britain. Trading in one set of shackles for another, as it would turn out.

~~~~~
young Paul's favourite: You Are the One
older Paul's retro pick: Left to My Own Devices (what else?)